The Robe De Mari

The Robe De Mari

A robe de mari, also called a grand habit or grand dress of court, was the standard formal gown throughout Europe and particularly in France in the 18th century.robe de mariée civil It consists of a stiff boned bodice that laces up the back, a separate train worn falling from the shoulders or gathered at the waist and lace sleeves. Despite their regal appearance, robes were very comfortable and easy to wear.

It was fashionable for women of high social rank to wear a robe de mari at official events, as evidenced by the many portraits of them from this period.robe de mariée civil It was not a requirement, however, and there were occasions where it was acceptable to wear a more informal mantua instead. For example, a woman would not be required to wear a robe de mari to attend a ball, but she might wear one to celebrate her birthday or the birth of a child.

This particular robe de mari is in the style of the 1740s and features the more elegant wide paniers and triple-sleeve ruffles that were popular at this time.robe de mariée civil In addition, the hemline is much more fitted than the earlier robes of this period. A woman in this style of robe de mari might be wearing a matching chemise and sash to complete the ensemble.

Unlike later robes, this one does not have the lace-covered bust that was a feature of later robes.robe de mariée civil This is likely due to the fact that it was made in the early 1780s. During this period, the Austrians were still heavily influenced by French fashion and had not yet started to reduce the formality of court dress as they did when Marie Antoinette’s brother took power.

From the enchanting silver robe de mari that Augusta of Saxe-Gotha wore at her wedding to Frederick in 1736 to the embroidered and frocked gown that Marie Antoinette wore to her own marriage to Louis-XVI, the robe de mari was the traditional choice for royal brides.robe de mariée civil These dresses, usually of brocaded fabric, were adorned with gold embroidery and trims that were both elaborate and expensive. In the 1770s and 1780s, they began to change shape as the neckline shifted from low, off the shoulder lines to slightly higher, squarer necklines based on extent portraits. They also began to feature less embellishments in general and to be made with lighter fabrics such as chiffon and muslin. This shift was perhaps a response to the changing tastes of the age.

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